1) Wait as long as you can to move, then move as fast as you can, making as small a movement as you can.
2) Be relaxed – tense muscles are slow and unagile.
3) Being able to change directions quickly is more important than pure linear speed.
1) Wait as long as you can to move, then move as fast as you can, making as small a movement as you can.
2) Be relaxed – tense muscles are slow and unagile.
3) Being able to change directions quickly is more important than pure linear speed.
Link One: Why ‘Blue Like Jazz’ Won’t Save Christian Cinema
Link Two: Wouldn’t It Be Cool if Shakespeare Wasn’t Shakespeare?
Link One is a review in The Atlantic of ‘Blue Like Jazz’, and Link Two is a review in the NYT Magazine of ‘Anonymous’. I haven’t seen either of these movies, and while I’d kind of like to see ‘Blue Like Jazz’ (loved the book, but will wait for DVD), I have zero interest in ‘Anonymous’. But I thought both of these reviews were interesting in themselves, and worth reading.
So, here’s a video of me doing a Destreza thrusting form with one of my teachers, Maestro Puck Curtis:
Understand, this is a form, not free-fencing. (It’s a little bit harder for me to hit Puck when it’s not a form.) Click here for a description of the form, explaining what is going on here.
And here’s another video, showing Provost Kevin Murakoshi going through the same form with Maestro Curtis:
Enjoy!